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Objects are made on a screen,sculting without force feedback, without temperatureand without time. They exist as immaterial constructs,formed to fit the glass object and to form a coesitencewith them.The fusion of these processes creates a form of coexistence, in which the reproducible 3D print meets the uniquely formed glass. They coexist, interwoventhrough glass reflections and refractions, seemingly merging the two material and making processes.
Publications
Coexistence I: exhibited at the group Exhibition WINTER VISTA at Hanart TZ Gallery
Coexistence I: exhibited at Group exhibition “Frost Fall 霜降” at Hanart TZ Gallery
Objects are made on a screen,sculting without force feedback, without temperatureand without time. They exist as immaterial constructs,formed to fit the glass object and to form a coesitencewith them.The fusion of these processes creates a form of coexistence, in which the reproducible 3D print meets the uniquely formed glass. They coexist, interwoventhrough glass reflections and refractions, seemingly merging the two material and making processes.
Publications
Coexistence I: exhibited at the group Exhibition WINTER VISTA at Hanart TZ Gallery
Coexistence I: exhibited at Group exhibition “Frost Fall 霜降” at Hanart TZ Gallery
Menu
Work
About
Contact
Glass blowing is a time-based craft that induces forcesinto a material to shape it. The resulting shape needs tobe cooled down, annealed, a process that allows to takeout the naturally occurring tensions in a material when changing temperatures. The annealing process in the case of this work, being very heavy, took several days.Last but not least, the shapes seen in Coexistence are counter-intuitive to the practice of glass blowing. They are moments that are irreversible. They are penetration of volumes that are momentary and irreversible.All of these time based manipulations, some a shortas the split-second two glass blown vomues collide are contrasted by the extreme longevity of glass. Itis one of the longest-lasting man-made materials -decomposition is estimated to take 1 million years. On the other side, this craftsmanship of time and force is juxtaposed with the time-less composition of the digital and the schizophrenic notion of the 3D print being amaterial with a very short half-life and the atemporality of the digital itself.
#3D printing
#Glass
#Installation
at the group exhibition “Frost Fall霜降”Hanart TZ Gallery, Hong Kong,3rd Oct. – 4th Dec. 2021, 23 October 2021.
at the group exhibition WINTER VISTAHanart TZ Gallery, Hong Kong,11th Dec. 2021–15 th Jan. 2022
Objects are made on a screen,sculting without force feedback, without temperatureand without time. They exist as immaterial constructs,formed to fit the glass object and to form a coesitencewith them.The fusion of these processes creates a form of coexistence, in which the reproducible 3D print meets the uniquely formed glass. They coexist, interwoventhrough glass reflections and refractions, seemingly merging the two material and making processes.
Publications
Coexistence I: exhibited at the group Exhibition WINTER VISTA at Hanart TZ Gallery
Coexistence I: exhibited at Group exhibition “Frost Fall 霜降” at Hanart TZ Gallery