The installation consists of two works. Both work with the notion of perception, distortion and symmetrical arrangements that dissolve intopseudo-symmetrical perceived elements.

The first work is Déjà Vu, a work portraying the resonance memory of a post-industrial and post-natural landscape. They are in parallel from the actual, 3d scanned parts of our cultured nature- super saturated celebrations of a new Nature -they have become cultural artefacts. The digital new landscapes have no reference point to what once was landscape and nature in the truest sense of wilderness - this is a celebration of the digital wilderness.

The second work,Glass Mitosis, follows the notion of primordial mitosis—the splitting of a single cell into two—the beginning of complex forms of life.The two nuclei cells are held together by a web often dril-like structures, analogous to the biological cell growth when forming multicellular higher-order organisms. The fragile glass cells multiple and populate, yet immediately are in conversationwith a foreign species.