In the work Glass Mutations, I discuss the amalgamation between digital workflows and the analogue crafting techniques of glass blowing. I focus specifically on the aspect of time as one of the main discrepancies between analogue and digital processes. Throughout the last chapters, I have alluded to the importance of time inmy projects and its significance for the establishment ofa digital craftsmanship. The core problem of time and timing of processes, synchronising digital and analogue processes, is the lack of time in the digital object. The digital object is essentially timeless in its production and form, and does not age. In comparison, the 3D printis time-based, ages, and has a half-life. In the work Soft immortality, the large resin 3D printed body deformed and withered in time and with temperature.