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VR Caligraphy

Traditional Chinese Calligraphy, Shufa书法, articulates the physical writing of ink on paper using brushes. It is a deeply material-based practice that also transcends beyond art, to a core philosophy of Chinese culture, recognized by UNESCO (2009). It is a tangible practice with an intangible cultural heritage - a lineage spanning millennia. Our research aims to extend this practice further, from a material-based art into a digital form of media dissemination. Retaining the core values of Shufa书法, these are referred to as geist (spirit) in the West and represented by yi(意, intent) in Chinese [Shi 2019]. Instead of using ink and brush, the physical tools articulating a two-dimensional practice, we investigate how three-dimensional calligraphy can be written in VR space.

#VR

2024

Publications

VR Body Calligraphy - Whole-body Performance Writing for Chinese Calligraphy

VR Calligraphy: Transposing Chinese calligraphy as choreographed movements into whole-body performances in VR

Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic depicting a hexagonal cropped photo of an interior room design with grid lines along its borders.

We aim to transfer its qualities to an immaterial and dynamically time-based version in VR" [Shum and Klein 2023]. Previously [ibid], we have started unravelling the philosophical aspects of the research, and written in depth about the aesthetic considerations of transforming two-dimensional calligraphy into three-dimensional forms.

Arrow

 

Arrow

ADDRESS

School of Creative Media,

City University of Hong Kong, 18 Tat Hong Avenue, Kowloon Tong, Hong Kong

CONTACT

info@awesomelab.studio

SOCIAL

Youtube

Project

VR Caligraphy

Traditional Chinese Calligraphy, Shufa书法, articulates the physical writing of ink on paper using brushes. It is a deeply material-based practice that also transcends beyond art, to a core philosophy of Chinese culture, recognized by UNESCO (2009). It is a tangible practice with an intangible cultural heritage - a lineage spanning millennia. Our research aims to extend this practice further, from a material-based art into a digital form of media dissemination. Retaining the core values of Shufa书法, these are referred to as geist (spirit) in the West and represented by yi(意, intent) in Chinese [Shi 2019]. Instead of using ink and brush, the physical tools articulating a two-dimensional practice, we investigate how three-dimensional calligraphy can be written in VR space.

#VR

2024

Publications

VR Body Calligraphy - Whole-body Performance Writing for Chinese Calligraphy

VR Calligraphy: Transposing Chinese calligraphy as choreographed movements into whole-body performances in VR

Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic depicting a hexagonal cropped photo of an interior room design with grid lines along its borders.

We aim to transfer its qualities to an immaterial and dynamically time-based version in VR" [Shum and Klein 2023]. Previously [ibid], we have started unravelling the philosophical aspects of the research, and written in depth about the aesthetic considerations of transforming two-dimensional calligraphy into three-dimensional forms.

Arrow

 

Arrow

ADDRESS

School of Creative Media, City University of Hong Kong, 18 Tat Hong Avenue, Kowloon Tong, Hong Kong

CONTACT

info@awesomelab.studio

SOCIAL

Youtube

Research

People

Contact

Menu

Work

About

Contact

Research

People

Contact

Project

VR Caligraphy

Traditional Chinese Calligraphy, Shufa书法, articulates the physical writing of ink on paper using brushes. It is a deeply material-based practice that also transcends beyond art, to a core philosophy of Chinese culture, recognized by UNESCO (2009). It is a tangible practice with an intangible cultural heritage - a lineage spanning millennia. Our research aims to extend this practice further, from a material-based art into a digital form of media dissemination. Retaining the core values of Shufa书法, these are referred to as geist (spirit) in the West and represented by yi(意, intent) in Chinese [Shi 2019]. Instead of using ink and brush, the physical tools articulating a two-dimensional practice, we investigate how three-dimensional calligraphy can be written in VR space.

#VR

2024

Publications

VR Body Calligraphy - Whole-body Performance Writing for Chinese Calligraphy

VR Calligraphy: Transposing Chinese calligraphy as choreographed movements into whole-body performances in VR

We aim to transfer its qualities to an immaterial and dynamically time-based version in VR" [Shum and Klein 2023]. Previously [ibid], we have started unravelling the philosophical aspects of the research, and written in depth about the aesthetic considerations of transforming two-dimensional calligraphy into three-dimensional forms.

Graphic of a typography specimen showing the alphabet and numerals on top of a dark gray background.
Graphic depicting a hexagonal cropped photo of an interior room design with grid lines along its borders.
Arrow

 

Arrow

ADDRESS

School of Creative Media, City University of Hong Kong, 18 Tat Hong Avenue, Kowloon Tong, Hong Kong

CONTACT

info@awesomelab.studio

SOCIAL

Youtube