Witnesses (2017) consist of five large-format lenticular prints mounted on aluminum dibond.

The lenticular system is the only imaging process that allows for several different images to be displayed in a single print.

At least two images taken at inter-eye distance are required, though it is most common to blend four or more images.

These prints are made with a special stereoscopic camera that captures the multiple images simultaneously.

One can stand in front of a lenticular image and attempt to grasp the picture field as a whole, as one approaches the works of Mark Rothko or Clyfford Still.

But this only does justice to the purely two-dimensional surface, and not the pictorial space or, more correctly, the process of temporalising the space.

Even a simple rotation of the head leads to uncertainty as the static is continuously transformed into countless variables.

How do you consider a lenticular print if the process of seeing does not lead to any result but the process itself?

Lenticular prints demand physical effort.

The viewing must be appropriate to the spatial component, and this takes time.